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Majors was raised in a single-parent household in Indiana, with little money. “Men of color always have to be strong,” he says. He begins to explain meth’s pathway - how men like he and Dean are propelled into its orbit.įirst, he says, there is the growing up black in America. “He would laugh and get close to you and put his hand over his mouth and tickle you while you're laughing. “He was one of the most loving, funny characters,” says Majors. It’s been 10 months since he lost Timothy Dean, and grief seems locked into every muscle.
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His looks - tall, muscular, angular jaw - suggest fortitude, and his life, success: a former professional basketball player who appeared in a Beyoncé video, modeled at New York Fashion Week, and after disclosing his sexuality - as a black, gay sports star - was named by Out Magazine in 2007 as one of the top 100 influential LGBT people in America.īut today he is rigid in his chair. “If you go on an app, do you know how many times I'll get asked if I ‘party’?” He switches on a lamp beside a small table. Majors is one of four queer people - three black, one Latino - who today, in the second part of this series, describe the underlying causes driving their meth use, the harm the drug caused, and most of all, what lay in wait when they took it during sexual encounters with white men. Instead he nods to confirm one detail: A white man did this.
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It is too much for him to talk about, for now. Marks and scars bisect it: across, underneath, stripes of different width and color. After two hours of talking, he lifts his left forearm. It leads to the starkest of illustrations.
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Majors’ story answers this question - how meth magnetizes particularly queer people of color – in a series of layers. And then a moment later, How the fuck am I sitting on his bed without my shirt on?” “I have walked those paths,” he says, “I’ve been on the train to go hang out with somebody and even shivering with fear,, You shouldn’t do this. “Crystal has a way of contacting you,” he says. “I said, ‘I’m not going over there.’ He said, ‘Me neither.’”īut with meth addiction, he says, “You’re never out of the woods.” So although he believes Dean went to Buck’s house to take meth, he does not wonder why. He went like this…” Majors performs the phone-scrolling gesture, quickly, to denote how many screens it took up.
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“He said, ‘DeMarco, don’t you take your ass to Ed Buck’s house.’ Tim shows me his phone, all these messages from Ed Buck. They were talking about Gemmel Moore, the first man who died there, in July 2017, aged 26. A month or two before his death, says Majors, Dean had warned him not to go to Buck’s apartment. What would make even less sense is how Dean ended up at that address. “Tim was in many of our lives,” he says - a mentor to people facing addiction. That he could no longer confide in Dean, who was far into his own recovery from meth.
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Majors tries to convey the enormity of the loss: the old friend who had long been there for him the big personality who worked for Saks Fifth Avenue and always wanted to make things just so. He was at Ed Buck’s house.’” In disbelief, Majors ended the call and phoned Dean’s best friend, Alex, pleading: “I need you to tell me right now that this is a lie.”